These Video Editing multiple-choice questions and their answers will help you strengthen your grip on the subject of Video Editing. You can prepare for an upcoming exam or job interview with these 80+ Video Editing MCQs.
So scroll down and start answering.
A. Video FilmX
B. Video fight X-Ray
C. Visual Effects
A. 30
B. 24
C. 29.97
D. 25
A. Rotoscope
B. Rear Projection
C. Multiple Exposure
D. Chroma Key
A. 24 frames per second
B. 59.94 frames per second
C. 25 frames per second
D. 29.97 frames per second
A. Positon
B. Scale
C. Anchor Point
D. Opacity
A. Ctrl + U
B. Ctrl + Z
A. The Middle One
B. The Bottom One
C. The Top One
A. Make sure music levels are brought down properly so your audience can hear voice-overs and interview audio.
B. When you're done editing, don't render any effects because they'll look best that way.
C. When adding audio tracks, don't worry about checking your levels because the software will do it all for you.
D. Adding several blank audio tracks at the end of the editing process to be sure you have space for your timeline to breathe.
E. Add one frame of black with no audio in the middle of your project to help your hard disk drives run faster.
A. There is no way to reconnecting them without deleting the clip and reimporting
B. Point the program at the source media using Relink or Reconnect
C. Rename the clip to match the source media and the software will automatically connect them
A. A loose transition.
B. An edit where the audio of the next shot begins before we can actually see the next shot.
A. None of these
B. A marker indicating where an edit will begin
C. The first frame of a sequence
D. A marker indicating where an edit will end
A. 1440 x 1080 pixels
B. 1080 x 720 pixels
C. 640 x 480 pixels
D. 1920 x 1080 pixels
A. AVI
B. WMV
C. 3GP
D. MP4
E. WAV
A. Make all video tracks visible
B. Merge all video tracks into one track
C. Move the top video track down one track
D. Remove unused video tracks
E. Disable all video tracks apart from the top track
A. All tracks of audio are played simultaneously
B. Sequences cannot accomodate multiple video tracks
C. The top-most audio track only
D. None of these
A. There is a connection error with the media server
B. The source media may have been moved
C. Any of these
D. The source media may have been deleted
A. A clip is created in a bin that references the raw media file, which is moved into a special folder elsewhere on the server
B. The entire raw media file is deleted from its original location and moved into the program
C. A clip is created in a bin that references the raw media file, which remains in its original location
A. None of the above
B. Fade in
C. Cut
D. Cross-dissolve
E. Fade out
A. The audio track containing principle dialogue
B. A mask layer for graphics indicating which portions are transparent
C. A channel containing sync information for linked video and audio tracks
A. Flash Frame
B. Split Screen
C. Picture in Picture
A. Timecode
B. Frame rates
C. Audio levels
D. Video levels
A. The clip remains in the project but the source media is deleted from the server
B. The clip is removed from the project and the source media is deleted from the server
C. The clip is removed from the project but the source media remains on the server
A. Wave Rate
B. Wavelength
C. None of these
D. Waveform
A. None of these
B. The last frame of a sequence
C. A marker indicating where an edit will begin
D. A maker indicating where an edit will end
A. 1440
B. 540
C. 1280
D. 960
A. Apple ProRes
B. H.264
C. Avid DNXHD
D. MPEG-2
A. None of these
B. An option preventing supers and graphics from moving within the timeline
C. A guideline boundary within which all text-based graphics should be placed
D. An alternate version of the master with no on-screen text
A. All of these
B. Timecode is the only clip metadata that cannot be altered by the user
C. Timecode is how the software links clips in a project to its source media
D. Timecode is how in and out points are plotted
A. Sony Vegas
B. After Effects
C. None of the above
D. Premier Pro
E. All of the above
A. Converting film footage to an NTSC television frame rate
B. Condensing multiple audio tracks for export
C. Live switching between multiple sources
D. Legalizing video chroma levels to broadcast norms
A. Snapping
B. All of these
C. Compressing
D. Ripping
A. True
B. False
A. An edit where the frames of the preceding and proceeding footage are so similar that it produces a jarring transition.
B. A very fast transition.
A. The two clips will be dissolved together
B. Nothing; the clips will play exactly as they did before
C. Only the second clip will be visible
D. Only the first clip will be visible
A. clarified subject position.
B. made a two point edit.
C. broken the 180 rule.
A. Raise the audio level of the individual clip in the timeline
B. Any of these
C. Double up the clip's audio on additional tracks
D. Add an audio gain filter to the clip
A. A 1- or 2-frame video clip in a sequence, usually unintentional
B. The frame originating sync between audio and video
C. The initial frame of a sequence
A. Reels
B. Bins
C. Folders
D. None of these
A. None of these
B. Transcoding
C. Codec Converting
D. Recoding
A. 25 fps
B. 24 fps
C. 30 fps
D. 29.97 fps
E. 29 fps
A. The level of the audio spectrum above which background music should never rise
B. None of these
C. Nickname for audio tracks 8-12, usually reserved for music and sound effects
D. A superimposed name or label on the bottom portion of the screen
A. The frame originating sync between audio and video
B. An edit that skips over the next adjacent clip in the sequence
C. All of these
D. A cut between 2 clips that appear jarring when placed back to back
A. Color Balancing
B. Color Correction
C. Visual Restoration
D. Lighting Enhancement
A. Flatbed editing
B. Online editing
C. Linear editing
D. Nonlinear editing
A. Conforming multiple clips to the same framerate
B. Restoring sync between grouped video and audio tracks
C. Removing unused clips from a project
D. Monitoring audio while moving the playhead across a sequence
A. Single
B. Progressive
C. Interlaced
D. Sequential
A. color balancing
B. color grading
C. color degrading
D. color enhancing
A. Vast Bit Rate
B. Value Bit Rate
C. Verified Bit Rate
D. Variable Bit Rate
E. Video Bit Rate
A. Drop Frame Timecode
B. Skip Frame Timecode
C. Drop Rate Timecode
D. Skip Rate Timecode
A. Sequential
B. Progressive
C. Alternating
D. Interlaced