Our team has conducted extensive research to compile a set of Audio Editing MCQs. We encourage you to test your Audio Editing knowledge by answering these 80+ multiple-choice questions provided below.
Simply scroll down to begin!
A. Masking
B. Compression
C. Vibrato
D. Distortion
A. in the corners of a room.
B. at ear level.
C. in an equilateral triangle with the midpoint near the back wall of the room.
D. about 1 foot above the ears.
A. 80 DB
B. 120 DB
C. 100 DB
D. 140 DB
A. 200 - 900 Hz
B. 7 - 12 kHz
C. 12 - 20 kHz
D. 20 - 200 Hz
E. 900 Hz - 7 kHz
A. a compressor with a ratio that is 10:1 or lower
B. a compressor with a ratio that is 10:1 or higher
C. a compressor with a ratio that is 4:1 or higher
D. the best tool to put on a mix bus to make a mix sound more professional
A. None of the above
B. the front side and back side of the microphone
C. the front side of the microphone
D. all directions
A. Half/Double
B. Third/Triple
C. Fourth/Quadruple
A. Clipping
B. Phase Misalignment
C. Volume Discrepencies
D. Tonal Imbalance
A. condenser microphone
B. cardiod microphone
C. dynamic microphone
D. omnidirectional microphone
A. phase reversal.
B. equalization.
C. panning.
D. digital delay.
A. 16 bit, 48 kHz sampling rate.
B. 24-bit, 192 kHz sampling rate.
C. 24-bit, 96 kHz sampling rate.
D. 16-bit, 44.1 kHz sampling rate.
A. 48 kHz
B. 44.1 kHz
C. 41.1 kHz
D. 44.4 kHz
A. 96 kbps
B. 24 kbps
C. 320 kbps
D. 160 kbps
A. Do all of these
B. Apply EQ, multi-band compression and limiting in order to ensure a good overall frequency balance and consistent volumes among songs
C. Perform sample rate conversion from 96 kHz to 44.1 kHz
D. Listen to your mixes on a variety of speaker systems in order to ensure that they sound good on each system
A. Low Frequency Oscillator
B. Last Frequency Order
C. Long Frequency Oscilation
D. Long File Order
E. Lyte Funky Ones
A. Adjusts the track to correct polarity
B. Bypasses any plugins on the track, thereby reverting it to its original state
C. Raises the gain of the entire track to the point where the highest peak is just below clipping
D. Analyzes the track for any errors and corrects them
A. solo
B. prefade
C. mute
D. postfade
E. monitor
A. Cardioid
B. Ribbon
C. Tube driven
D. Condenser
E. Dynamic
A. An overlapping crossfade
B. A paradox
C. A butt splice
D. A loop
A. Audio Revival
B. Audio Salvage
C. Audio Restoration
D. Audio Repair
A. High
B. Low
C. Sub
D. Mid
A. Tube saturation
B. AC hum
C. Quantization noise
D. Digital clipping
A. 48
B. 56
C. 60
D. 120
E. 42
A. Distortion Amp Workstation
B. Digital Audio Workstation
C. Digital Amplitude Waveform
D. Digital Audio Waveform
A. A mega.X.horn filter
B. A high pass filter
C. A low pass filter
D. A notch filter
A. 24
B. 16
C. 8
D. 32 bit (float)
A. Hats and High Strings
B. Bass and Kick Drums
C. Pads and Guitars
D. 808 Kick and High Hats
E. Horns and Guitars
A. 24 bit
B. 4 bit
C. 8 bit
D. 16 bit
A. De-limiter
B. De-esser
C. De-noiser
D. Vocoder
A. a 1 DB increase in gain
B. no change to the input
C. a 1 DB decrease in gain
D. a 2 DB increase in gain
E. a 2 DB decrease in gain
A. Record into analog outboard gear before feeding the audio into your DAW.
B. Use the most expensive condenser microphone that you can afford.
C. Make sure that you record at the highest bit rate possible.
D. Arrange microphones and set other equipment levels correctly so that the sound at the beginning of the recording chain is optimum.
E. Use a LPF, a HPF, and other filters to cut out unwanted frequencies.
A. Shortening an audio file
B. Lowering volume
C. Reduction of dynamic range
D. Narrowing frequency range
A. 20HZ - 12KHz
B. 1.5KHZ - 10KHz
C. 20Hz - 20KHz
D. 500Hz - 20KHz
A. Do all of these
B. Ensure that any applied gain boost or signal processing effects do not cause any soundfile's maximum amplitude to exceed 0dB
C. Apply a brickwall limiter with maxium gain of approximately -1 dB to the final output mix buss
D. Ensure that each track is recorded with a peak level that does not exceed 0 dB
A. Convolution
B. Compression
C. Limiting
D. Normalization
A. White noise
B. Studio-generated AC hum
C. Location-recorded room tone
A. Frequency Distribution
B. Volume
C. Dynamic Range
D. Loudness
A. the amount of gain reduction applied when the input exceeds the threshold. The higher the ratio, the less compression is applied.
B. the amount of makeup gain applied to the compressed signal.
C. the amount of gain reduction applied when the input exceeds the threshold. The higher the ratio, the more compression is applied.
D. the mix between the dry and wet signal
A. Panasonic
B. Steinberg
C. Sony
D. Apple
A. 8 bit and 192 khZ
B. 24 bit and 44.1 kHz
C. 24 bit and 96 kHz
D. 16 bit and 44.1 kHz
A. A zero crossing point of the sound waves
B. The peak amplitude level of the sound waves
C. Waves whose phase directions are identical
A. Microphone placement
B. Understanding and utilizing the EQ to fix recording problems
C. Correct application of audio compression
D. The master output
E. Mastering
A. MICRO
B. MOCCA
C. MARCO
D. MACRO
A. Pro Tools
B. Ableton Live
C. Logic Pro
D. (all of these)
A. upsampling audio to a higher bitrate
B. editing multiple takes of a performance into a single take.
C. reducing a multi-track mix into a stereo audio file.
D. the process of removing noise from a track.
A. a compressor plug-in on the voice over track during the mixdown process.
B. an outboard compressor between the microphone signal and your audio interface.
C. an outboard equalizer between the microphone signal and your audio interface in order to boost the level of high frequencies.
D. a digital reverb plug-in during mixdown to reduce high frequency plosives.
A. the center frequency of the band
B. the width of the frequency band
C. the amount of gain applied to the band
D. the sound quality of the band
A. mixing an unprocessed 'dry', or lightly compressed signal with a heavily compressed version of the same signal.
B. mixing two heavily compressed versions of the same signal.
C. mixing two different signals with two different models of compressors
A. FLAC
B. MP3Pro
C. AAC
D. WMA
A. ±48V
B. 18V
C. 9V
D. 48 V
E. -48V