These Creative Writing multiple-choice questions and their answers will help you strengthen your grip on the subject of Creative Writing. You can prepare for an upcoming exam or job interview with these 100+ Creative Writing MCQs.
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A. anotamy
B. anatimy
C. anatomy
D. anatamy
A. Theme
B. Conflict
C. Denouement
D. Climax
A. Personification
B. Metaphor
C. Narrative
D. Hyperbole
A. It's weird that he didn't loose weight after so much exercise.
B. It's weird that he didn't lose weight after so much exercise.
C. Its wierd that he didn't loose weight after so much exercise.
D. Its weird that he didn't lose weight after so much exercise.
A. Logos is not used as often as pathos, because its overly-articulate nature and reliance on convention can be burdensome to some.
B. Logos uses data, facts. logic to support claim, while pathos argument appeals to feelings and emotions.
A. All of these
B. Actions
C. Dialogue
D. Habits
A. When the hero/heroine struggles to wake up.
B. When the hero must be kept in the dark.
C. When all seems lost for the hero/heroine.
A. Climax
B. Epigraph
C. Setting
D. Conflict
A. Your going to do your homework, aren't you?
B. Your going to do you're homework, aren't you?
C. You're going to do your homework, aren't you?
D. You're going to do you're homework, aren't you?
A. emphasis
B. emphises
C. emphesis
A. True
B. False
A. Yes, if they are raised in the same household.
B. No. -- No two individuals react identically.
A. A big door cannot be opened by using a small key.
B. A small key opens a big door.
C. A small keye opens a big door.
D. A smal key opens a big door.
E. A smail key opens a big door.
A. Inferiority, superiority, heroic.
B. Physiology, sociology, psychology.
C. Lame, blind, deaf.
D. Rude, polite, moral.
E. Tolerant, defiant, humble.
A. Tetris
B. Quatrain
C. Couplet
D. Sestet
E. Ballad
A. A story that starts by telling the reader how the story ends
B. A perspective where everything about every character is known immediately
C. A story presented by an unidentified narrator that knows everything that is happening within the story world
D. A story that deals with multiple storylines at once
A. Syntax
B. Meter
C. Tone
D. Verse
A. Didact
B. Sestina
C. Parable
D. Drama
E. Dramatis personae
A. It is a phrase, idea, event, or element which has been overused to the point of losing its meaning
B. It is a grotesquely exaggerated statements whose language is intended to make a point
C. It is a reference, without explanation, to a prior work, historical event, or historical person
D. It is a figure of speech that juxtaposes apparently contradictory elements but is not wrong in meaning
A. An Arabian instrument that is commonly used as a motif
B. A humorous story
C. A device that uses humor to deliver social criticism
D. A device that uses a character with a small role to enact a significant plot shift
A. Relatory
B. Figurative
C. Comparative
D. Chiasmus
A. Antipugna
B. Antepugna
C. Antebellum
D. Antebellome
A. Sex. Age. Height and weight. Color of hair. Posture.
B. Extrovert or introvert.
A. True
B. False
A. A metaphor carried through an entire work, which allows the reader to interpret further meaning beyond the literal events of the work
B. A character who abides by a defined morality, and adheres to those morals during a key plot event
C. A story with a hero who makes a personal sacrifice for the greater good
D. A character who abides by a defined morality, but breaks those morals during a key plot event
A. Calculating
B. Champagne
C. Anayltical
D. Deceiver
E. Quench
A. Presence
B. Tone
C. Diction
D. Pace
A. Archetypes
B. Biographies
C. Villains
D. Static characters
A. the character in opposition to the protagonist.
B. the villain.
C. the character who makes the journey of the story.
D. someone who tricks or deceives the hero.
A. on the back cover of a novel
B. at the beginning of a novel
C. in the middle of a novel
D. at the end of a novel
A. Pristine alligator skin boots
B. The shadiest street in Naples
C. A tinny hum spilling from the factory walls
D. 11:35pm on Friday night
A. America is a melting pot.
B. Life is like a box of chocolates.
C. He is the apple of my eye.
D. I'm on an emotional roller coaster.
A. reads like this: "I couldn't believe I was in love with a vampire."
B. is something Bob Dole uses to refer to Bob Dole
C. reads like this: "Bob raced to the hospital and hoped his wife wouldn't go into labor before he arrived.
D. is always omniscient.
A. True
B. False
A. When the main character finds the cutest person to fall in love with.
B. The first time the hero and heroine meet
C. When two people think they are meant for each other.
A. Is based in religious imagery
B. All characters reach a happy resolution
C. Communicates a moral lesson
D. Heroic protagonist with superhuman abilities
A. figurative language
B. dissonance
C. genre
D. point of view
A. campaigning
B. spin
C. screech
D. run
A. A brief story with a clear moral message
B. A fantasy story that is set in medieval times
C. A story that uses magic as its predominant literary tool.
D. A short story with pictures
A. No. But you must know all of these. They need not be mentioned.
B. Yes. It's important for the dramaturgy.
A. As we bolted through the alley with the stolen gems in tow, I was sure we would alert the police
B. The sun peers over the horizon, eager to bathe the Earth in soothing light
C. The criminal ripped open the door with the strength of a thousand men
D. I answered my door and there she was - same time every night, as sure as the tide rolling in
A. Is persuaded to act against their personal interests
B. Delivers a string of punchlines to jokes that his/her comedic partner sets up
C. Disappears momentarily, so that the reader can focus on important dialogue between other characters
D. Speaks directly to the audience, without other characters listening
A. First person
B. Second person
C. Third person
A. Affect is the British spelling of effect.
B. Affect is generally a verb; effect is almost always a noun.
C. Affect describes a negative outcome; effect is positive.
D. Effect is an adjective; Affect is a noun.
A. limerick
B. quatrain
C. concrete poetry
D. haiku
E. tanka
A. An extreme level of arrogance
B. A certain type of character
C. Hyperbolic writing
D. A less important character
A. It is a concept commenting on the power of using realistic characters
B. It refers to a true story so good, most will not believe it is based on real events
C. It is a method of using magical story elements in an otherwise normal or mundane setting
D. It is a method of describing magical scenes in extreme detail
A. Rhyme
B. Soliloquy
C. Verse
D. Prose
A. convention
B. didact
C. cliché
D. simile
A. Any element of the setting which reflects the mindset of the character(s) inhabiting it
B. A flawed character
C. A recurring narrative element with symbolic significance
D. A plot point which distracts the protagonist from their central goal