Compassionate Critical Listening MCQs
Compassionate Critical Listening MCQs
Our team has conducted extensive research to compile a set of Compassionate Critical Listening MCQs. We encourage you to test your Compassionate Critical Listening knowledge by answering these 10+ multiple-choice questions provided below.
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1: _____________________ is a physiological act in which sounds vibrate our eardrums.
A. Pronunciation
B. Listening
C. Hearing
D. Articulation
2: ______________________ is an active practice – a practice that requires our active attention and focus.
A. Pronunciation
B. Listening
C. Hearing
D. Articulation
3: True/False:The distinction between hearing and listening, and treatment of listening as a skill, does not account for the complexity of the practice of listening for people who might not use their ears to listen.
A. True
B. False
4: The idea of ____________________ can help us consider the ways context, personal experience, and cultural expectations might shape the way we engage as listeners.
A. Compassion
B. Modes of listening
C. Passive listening
D. D collaboration
5: Modes of listening help to clarify the notion of listening as a stance by pointing to the ways our relationship as listeners is always shaped by the contexts of the _______________________.
A. Listening situation
B. Dialogic performance
C. Hearing environment
D. Cultural location
6: Double Articulation is our actions are shaped by structures that are, in turn, created through our actions and past practices.
A. True
B. False
7: ________ is a physiological act in which sounds vibrate our eardrums.
A. Double Articulation
B. Listening
C. Cultural Locations
D. Hearing
8: Listening means meeting another in the moment, in the active and engaged spirit of dialogue.
A. False
B. True
9: The contextual factors that shape the meaning we make from listening in a given instance is known as:
A. Perceptual Agency
B. Modes of Listening
C. Listening Situation
D. Position as Listeners
10: Mode of Listening is different ways of listening for _________ styles, situations or contexts.
A. Different
B. Same
C. Both
D. None of these
11: Our ability to shift our focus when we listen to create the possibility for multiple and differing experiences is called ____________ .
A. Perceptual Agency
B. Modes of Listening
C. Listening Situation
D. Position as Listeners
12: ____________ is a listener’s expertise or knowledge about the modes of listening we enact.
A. Perceptual Agency
B. Modes of Listening
C. Listening Situation
D. Position as Listeners
13: Stance is not an approach to experience.
A. False
B. True
14: A stance that defines the other only in terms of her/his differences is known as:
A. The Custodian’s Rip-Off
B. The Curator’s Exhibitionism
C. The Skeptic’s Cop-Out
D. The Enthusiast’s Infatuation
15: The Custodian’s Rip-Off a stance characterized by avoidance and apathy in the face of difference.
A. True
B. False
16: ______________ is an exploitive stance that focuses on personal gain instead of understanding the other.
A. The Custodian’s Rip-Off
B. The Curator’s Exhibitionism
C. The Skeptic’s Cop-Out
D. The Enthusiast’s Infatuation
17: A stance that oversimplifies or ignores the differences of the other is called____________.
A. The Custodian’s Rip-Off
B. The Curator’s Exhibitionism
C. The Skeptic’s Cop-Out
D. The Enthusiast’s Infatuation
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Compassionate Critical Listening MCQs
